{"id":4126,"date":"2018-03-12T11:44:51","date_gmt":"2018-03-12T11:44:51","guid":{"rendered":"http:\/\/www.as-art.org\/?page_id=4126"},"modified":"2018-03-12T12:38:18","modified_gmt":"2018-03-12T12:38:18","slug":"svetlana-yancheva","status":"publish","type":"page","link":"https:\/\/as-art.org\/en\/svetlana-yancheva\/","title":{"rendered":"Svetlana Yancheva"},"content":{"rendered":"<p>[vc_row css=&#8221;.vc_custom_1520857549963{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;background-color: #bfbfbf !important;}&#8221;][vc_column width=&#8221;2\/3&#8243; css=&#8221;.vc_custom_1520857578710{margin-top: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}&#8221;][vc_single_image image=&#8221;4115&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1520857677990{margin-top: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243; css=&#8221;.vc_custom_1520857603831{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1520857749349{margin-bottom: 3px !important;border-bottom-width: 3px !important;padding-bottom: 3px !important;}&#8221;]<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h5>Svetlana Yancheva was born on the 31<sup>st<\/sup> of October 1964 in Burgas.<\/h5>\n<h5>She has an MA degree in acting for dramatic theater from National Academy For Theater and Film Arts. She graduated from it in 1986\u0433. in the class by prof. Nikola Ljutskanov.<\/h5>\n<h5>Currently she is an actress in \u201cZad Kanala<strong>&#8221;<\/strong> Small City Theatre.<\/h5>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_custom_heading text=&#8221;\u201cZad Kanala\u201d Small City Theatre &#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_column_text],,The Drunks&#8221; by Iv. Vyrypaev, dir. Yavor Gardev<br \/>\n\u201cGirlfriends of Mine\u201c dir. T. Moskov<br \/>\n,,The man Who Wanted\u201c by A. P. Chekhov, dir. Margarita Mladenova<br \/>\n\u201cThe Maneater&#8221; Iv. Radoev, dir. B. Haralampieva<br \/>\n,, The Beauty Sleeps&#8221; dir. T. Moskov<br \/>\n,,Animal on The Throne&#8221; by Carlo Gozzi ,dir. T. Moskov<br \/>\n,,Golden Bridges and Sequoia\u201d by K. Iliev, dir. B. Haralampieva<br \/>\n\u201cSeagull\u201d by A. P. Chekhov, dir. Galin Stoev<br \/>\n,,Golemanov&#8221; by St. L. Kostov, dir. M. Kurkinsky<br \/>\n,,At the Foot of Vitosha Mountain&#8221; P. Yavorov, dir. L. Abadjieva<br \/>\n,,Valentine\u2019s Day&#8221;by Iv. Vyrypaev, dir. Yavor Gardev<br \/>\n,,Sleep with Me &#8221; H. Kureishy, dir. B. Haralampieva<br \/>\n,,The Apocalypse Comes at 6PM\u201d by G. Gospodinov, dir. M. Mladenova<br \/>\n,,Pearl&#8221; by M. Razi, dir. B. Haralampieva[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_custom_heading text=&#8221; Sfumato Theatre Laboratory<br \/>\n&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_column_text]\u201cSeagull\u201d by A. P. Chekhov, dir. I. Dobchev &amp; M. Mladenova<br \/>\n,,We play Petrushevska&#8221; dir. M. Mladenova<br \/>\n,,Crazy Grass\u201d by Y. Radichkov, dir. M. Maldenova\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ,<br \/>\n,Apocryph&#8221; dir. Iv. Dobchev &amp; M. Mladenova<br \/>\n,,Uncle Vanyo\u201d, by A.P. Chekhov.dir. Iv. Dobchev<br \/>\n,,Three Sisters&#8221; by A.P. Chekhov.dir. \u041c. Mladenova<br \/>\n,,The dream of Orpheus&#8221; dir Y. Gardev<br \/>\n,,Quartet&#8221; by H. Muller, dir. Y. Gardev<br \/>\n,,The Dance of The Death\u201d A. Srindberg, dir. M. Mladenova[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_custom_heading text=&#8221;Ivan Vazov National Theatre&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_column_text]\u201cA Midsummer Night\u2019s Dream\u201d by Shakespeare dir. A. Morfov<br \/>\n,,Verona&#8221; A. Shipenko, dir. Y. Gardev<br \/>\n,,Life is Beautiful\u201d N. Erdman, \u00a0dir. A. Morfov<br \/>\n,,Hamlet&#8221; by Shakespeare, dir. Y. Gardev<br \/>\n,,Seascape&#8221; by \u0415d.Albee, dir. P. Denchev<br \/>\n,,Joan&#8221; by Yr. Pulinovich, dir. Y. Gardev<br \/>\n,,Delhi Dance&#8221; by Iv. Vyrypaev, dir. G, Stoev[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_custom_heading text=&#8221;199 Theatre Valentin Stoichev&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_column_text],,The Play About the Baby\u201d by Ed. Albee, dir. Y. Gardev[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator css=&#8221;.vc_custom_1520856205681{padding-top: 22px !important;padding-bottom: 22px !important;}&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_custom_heading text=&#8221;FILMS&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_column_text]\u201cMe, The Countess&#8221;, ,,Something in the Air&#8221;, ,,God came to visit us&#8221;- dir. Petar Popzlatev<br \/>\n,,Letter to America\u201d, \u201cThe Investigation\u201d, ,,Lift for Patients\u201d \u2013 dir. Iglika Triffonova<br \/>\n\u201cWarming up Yesterday\u2019s Lunch&#8221;, ,,The Sinking of Sozopol\u201d \u2013 dir. K. Bonev<br \/>\n\u201cRhapsody in White&#8221;, dir. T. Moskov<br \/>\n\u201cThirst\u2019\u2019, ,,Life with Sophia&#8221;- dir. Sv. Tsotsorkova<br \/>\n\u201cAve\u2019\u2019 dir. K. Bozhanov<br \/>\n,,The Color of the Chameleon\u201d \u2013 dir. Em. Hristov<br \/>\n,,Zift&#8221; \u2013 dir. Javor Gardev<br \/>\n,,The Faith is a Rat&#8221; \u2013 dir. Iv. Pavlov<br \/>\n\u201cLost and Found\u201d \u2013 \u201cThe Ritual\u201d \u2013 dir. Nadejda Koseva<br \/>\n\u201cRunning Dogs&#8221;, \u201cEmilia\u2019s Friends\u201d dir. L. Todorov<br \/>\n\u201cLonely Harts\u201d dir. V. Goshev<br \/>\n\u201cPride\u201d dir. P. Vesnakov<br \/>\n\u201cMy Friends call me Old Chap\u201d &#8211; dir. Iv. Hristov<br \/>\n\u201cThe Forth Power\u201d \u2013 TV serial<br \/>\n\u201c8 minutes and 19 seconds\u201d (\u201cFaces From the Last Day\u201d) dir. Ljubomir Mladenov[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator css=&#8221;.vc_custom_1520856205681{padding-top: 22px !important;padding-bottom: 22px !important;}&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_custom_heading text=&#8221;AWARDS&#8221; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_column_text]ASKEER for best supporting female actress for \u201cCrazy Grass\u201d<br \/>\n\u0410SKEER for best female actress for The Dance of The Death\u201d<br \/>\nBest actress from The Society of Independent Critics for \u201cLife is Beautiful\u201d<br \/>\nBest actress from The Union of Bulgarian Film Society for ,,Me, The Countess\u201d<br \/>\n\u201cGolden Rose\u201d for Best film and The Prize from The Union of Bulgarian Film Society for \u201cWarming up Yesterday\u2019s Lunch&#8221;<br \/>\nBest Cast Award\u00a0 from \u201cListapad\u201d Minsk, Belarus IFF for\u00a0 \u201cThirst\u201d[\/vc_column_text][\/vc_column][\/vc_row]<\/p>","protected":false},"excerpt":{"rendered":"<p>[vc_row css=&#8221;.vc_custom_1520857549963{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;background-color: #bfbfbf !important;}&#8221;][vc_column width=&#8221;2\/3&#8243; css=&#8221;.vc_custom_1520857578710{margin-top: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}&#8221;][vc_single_image image=&#8221;4115&#8243; img_size=&#8221;large&#8221; css=&#8221;.vc_custom_1520857677990{margin-top: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;padding-left: [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4126","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/as-art.org\/en\/wp-json\/wp\/v2\/pages\/4126","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/as-art.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/as-art.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/as-art.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/as-art.org\/en\/wp-json\/wp\/v2\/comments?post=4126"}],"version-history":[{"count":28,"href":"https:\/\/as-art.org\/en\/wp-json\/wp\/v2\/pages\/4126\/revisions"}],"predecessor-version":[{"id":4144,"href":"https:\/\/as-art.org\/en\/wp-json\/wp\/v2\/pages\/4126\/revisions\/4144"}],"wp:attachment":[{"href":"https:\/\/as-art.org\/en\/wp-json\/wp\/v2\/media?parent=4126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}